In the 1990s, feminist scholars on the politics of rape experienced a sudden surge of interest in their, until then, marginal field. Why was the 1990s the right time for rape to become an international security problem? Furthermore, why suddenly in the 1990s did rape become problematized as an international issue not just by the feminist fringes of protest movements but also by intergovernmental bureaucracies? To explore these questions, Carol Harrington traces the historical change in the politicization of rape as an international problem and explains how early international women's organizations gained expert authority on rape by drawing on abolitionist rhetoric of bodily integrity. She discusses why they abandoned their politicization of rape in the inter-war period and why rape only reappeared as an international security question requiring gender expertise on trauma after the Cold War.
Transsexuality and the Art of Transitioning: A Lacanian approach presents a startling new way to consider psychoanalytic dilemmas of sexual difference and gender through the meeting of arts and the clinic. Informed by a Lacanian perspective that locates transsexuality in the intermediate space between the clinic and culture, Oren Gozlan joins current conversations around the question of sexual difference with the insistence that identity never fully expresses sexuality and, as such, cannot be replaced by gender.
The book goes beyond the idea of gender as an experience that gives rise to multiple identities and instead considers identity as split from the outset. This view transforms transsexuality into a particular psychic position, able to encounter the paradoxes of transitional experience and the valence of phantasy and affect that accompany aesthetic conflicts over the nature of beauty and being. Gozlan brings readers into the enigmatic qualities of representation as desire for completion and transformation through notions of tension, difference and aesthetics through examining the artwork of Anish Kapoor and Louise Bourgeois and the role played by confusion in the aesthetics of transformation in literature and memoir. Each chapter of the book presents a productive take on understanding the psychoanalytic demand to sustain and consider the dilemma that the unconscious presents to the knowledge and recognition of gender. Fundamentally, this work understands transsexuality as a creative act, rich with desire and danger, in which thinking of the transsexual body as both an analytic and a subjective object helps us to reveal the creativity of sexuality.
Ideal for psychoanalysts, psychologists, psychiatrists and social workers as well as students of psychoanalysis, cultural studies, literature studies and philosophy, Transsexuality and the Art of Transitioning offers a unique insight into psychoanalytic approaches to transsexuality and the question of assuming a position in gender.
A Cultural History of Sexuality presents an overarching survey from ancient times to the present. With six volumes covering 2800 years, this is the most authoritative history of sexuality in all its many forms across Western cultures. Volume 1: A Cultural History of Sexuality in the Classical World Edited by Mark Golden, University of Winnipeg, and Peter Toohey, University of Calgary Volume 2: A Cultural History of Sexuality in the Middle Ages Edited by Ruth Evans, Saint Louis University Volume 3: A Cultural History of Sexuality in the Renaissance Edited by Bette Talvacchia, University of Connecticut Volume 4: A Cultural History of Sexuality in the Enlightenment Edited by Julie Peakman, Birkbeck College, University of London Volume 5: Sexuality in the Age of Empire Edited by Chiara Beccalossi, University of Queensland, Australia, and Ivan Crozier, University of Edinburgh Volume 6: A Cultural History of Sexuality in the Modern Age Gert Hekma, University of Amsterdam Each volume discusses the same themes in its chapters: 1. Heterosexuality; 2. Homosexuality; 3. Sexual Variations; 4. Sex Religion, and the Law; 5. Sex, Medicine and Disease; 6. Sex, Popular Beliefs and Culture; 7. Prostitution; 8. Erotica. This means readers can either have a broad overview of a period by reading a volume or follow a theme through history by reading the relevant chapter in each volume.
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